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From “The Essential Secrets of Songwriting" Blog:

5 Tips for Choosing a Song’s Key

music and chord progressions<span style="margin-top: 0; margin-bottom: 0;"><a href="http://garyewer.wordpress.com/2011/04/06/the-futile-search-for-the-killer-chord-progression/" target="_blank"><img src="http://www.secretsofsongwriting.com/images/louchristie.jpg" alt="music and chord progressions" width="120" height="119" hspace="3" border="0" align="right" /></a></span>As a first step to choosing a key for your song, you'll want to be sure, naturally, that the chosen key allows the song to be singable by you, or whoever you're writing it for. So I'm not really addressing that part of the process in this post. There's so much more to consider than to simply consider where the song feels easy to sing. Consider the following 5 tips for choosing a key for your next song...

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FREE CHORD PROGRESSIONS

STRONG and FRAGILE PROGRESSIONS (all given in C-major):

Simple progressions can be categorized as either being strong or fragile.

A strong progression is one that clearly points to one note as the key, or tonic, note. They can be used anywhere, and are great especially for chorus melodies, which usually rely on the strong indication of a key.

 

Strong Progressions (To see these progressions in fretboard/musical staff notation, click here.)

  1. C Dm G C
  2. C Dm7 G C
  3. C Fmaj7 G7 C
  4. C Am Dm G C
  5. C Em Am Dm G7 C

 

A fragile progression is one in which a specific chord is not clearly indicated as being the only possible tonic chord. Such a progression, on its own, could point toward two or more chords as being possible tonics, and usually require a strong progression after it to make the clear determination.

Fragile progressions can be used anywhere, but work very well in verse melodies. Keep in mind that most multi-chord progressions are a mixture of strong and fragile elements.

 

Fragile (To see these progressions in fretboard/musical staff notation, click here.)

  1. Dm7 Em7
  2. Am G F G Am
  3. Em G Am Em Dm F Am
  4. C Gm7 Am7 BbMaj7

 

 

PROGRESSIONS THAT END ON A DIFFERENT CHORD (DECEPTIVE CADENCE):

 

Deceptive Cadences (To see these progressions in fretboard/musical staff notation, click here.)

  1. C F Am G F
  2. C Dm G Am
  3. C Am Em G Ab

 

PROGRESSIONS THAT USE DIMINISHED CHORDS:
(What's a diminished chord?)

Diminished Chords (To see these progressions in fretboard/musical staff notation, click here.)

  1. C F Fdim7 C
  2. C Dm Bdim C
  3. C C#dim Dm G C

 

 

PROGRESSIONS THAT USE INVERTED CHORDS:
(What's an inverted chord?)

Inverted Chords

  1. C C/E F G C
  2. C G/B F/A G C
  3. C G/B Am F G G/B C
  4. C G E/G# Am G/B C


PROGRESSIONS THAT USE SECONDARY DOMINANT CHORDS:
(What's a secondary dominant chord?)

Secondary Dominant Chords

  1. C A Dm G C
  2. C E A Dm G C
  3. C F D G C
  4. C D G C


PROGRESSIONS THAT USE MODAL MIXTURES:
(What's a modal mixture chord?)

Modal Mixture Chords

  1. C F Fm C
  2. C C/E Fm G C
  3. C Eb F G C
  4. C F Ddim G C

 

CHORD PROGRESSIONS MAY NOT BE YOUR ONLY PROBLEM...

Want even more songwriting help? Gary Ewer has written a set of e-books that will finally clear up the mystery of why great songs work!

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  • TONS of chord progressions you can use right now in your songs.
  • how to come up with chord progressions that make sense.
  • a chart of STRONG and FRAGILE progressions!
  • how to write a melody that has shape, and suits your lyric to a 'T'.
  • why verse melodies should be different from chorus melodies. how to write a hook that gets the listener's attention, and has them humming YOUR songs ALL DAY LONG!
  • why a good lyric does NOT necessarily have to be good poetry;
  • how to compose every vital part of a song with ease... intro, outro, hook, verse, chorus and more.
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